Date: December 29th 2009
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Long time, no schlep! It's been over a month since our last update, but I've still been amassing some goodies for your ears. Apologies for not keeping you hep to it via this mailing list, but the astute customer will notice these lovely pieces are added to our website as we receive them, so those who click most often shall be rewarded most fervently. Especially for those rarities and nice-priced used goodies that we have been adding on a frequent basis.
Happy holidays!!
Dan/Tonevendor
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** EXCLUSIVE AND/OR RECOMMENDED **
BAD APPLES-The Autumn People CD (Seksound-$11.99)
"Seksound is proud to announce that second album "The Autumn People" by Estonian indiepop group Bad Apples is released. Bad Apples started in 2003 as a bedroom project, young guy Henrik Esse was one mastermind behind it. Those recordings were heard by people behind local indielabel Seksound. Thanks to their support first album was recorded and a small group of musicians gathered around Henrik and Bad Apples. Supporting female vocalist is Helina Risti, on other instruments you'll find Rein Fuks (Pia Fraus, Popidiot), Tõnis Kenkmaa (Pia Fraus) and Rivo Järvsoo (Picnic). Their first album "When Colours Become Day And Night" was released in 2006. New album is less punkier, it's like baroque pop on indie world, getting influences from 60s music, from proper pop music to west coast psychedelia. Vivid examples would include pop giants Serge Gainsbourg, The Carpenters, Juan Garcia Esquivel. Henrik said that he wants to make estrada music (I can imagine it's huge musical area from Bur
t Bacharach classics to great soviet pop), but he doesn't have big orchestra. I can hear that idea materialize in Bad Apples way."
** LES COMPACT DISQUES **
CHAPTERHOUSE-Whirlpool: The Original Recordings CD (Space Age-$14.99)
Hailing from Reading in the late 80's/early 90's, Chapterhouse were leaders in the British Shoegazing movement. Rehearsing for well over a year before committing anything to demo for record companies, Chapterhouse quickly reached the top of their game with their peak arguably being a performance following Nirvana at the 1991 Reading Festival.Releases from Chapterhouse have been very hard to track down, due to being out-of-print for many years. Thankfully Space Age Recordings is about to rectify this. A re-issue of the original Whirlpool recordings from VHF Studios Rugby, Sawmills Cornwall, Stoneroom Studios London and Refuge in Reading. Featuring three extra tracks, including the never before released 'Thrasher' and longer/alternate mixes of 'Something More', 'Rain' and 'Guilt'.Tracklist:1. Breather 2. Pearl 3. Autosleeper 4. Treasure 5. Falling Down 6. April 7. Guilt 8. If You Want Me 9.. Something More (ambient version) 10. Rain (alternative version) 11. Thrasher 12. Guilt
(long version)
CLIENTELE-Bonfires on the Heath CD (Merge-$14.99)
A return to the group's roots; the dreamlike suburban landscapes 1st encountered in the early singles, their trippy sense of menace stronger now. Back in London, they've drawn on older traditions of English folk, which exist here side by side w/ the band's more familiar bossa & pop elements.
JAMES ORR COMPLEX-Choris Bundle CD (Ba Da Bing-$6.99)
A new album from Glasgow's CHRIS MACK under the JAMES ORR COMPLEX moniker. Known for his rock work in the band ESKA (Stuart Braithwaite of Mogwai was once a member), Mack moves from the power of volume to the force of melody, as he brings his rock skills to the realm of folk. A collection of beautiful, skillfully finger-picked compositions that shoot off into tangents at some points, circle melodic phrases at others, and remain highly original at all times.
VARIOUS ARTISTS-In the Beginning There Was Rhythm CD (Soul Jazz-$17.99)
Warehouse find! One copy to be had
This record features the groups that grew out of Punk and embraced dance music. These groups reflected the changing face of a British multi-cultural society in the aftermath of Punk, taking on new musical influences such as Black American dance music, Reggae and Electronic music. A Certain Ratio were one of the first groups to be signed to Factory Records in Manchester. Whilst New Order and later The Happy Mondays came to be the most successful Manchester bands associated with bringing dance music into their sound, it is their original label-mates, A Certain Ratio, who were in fact the first band to make the connection between punk and US Black dance music. It was A Certain Ratio who went to New York to record their first album that managed to mix a sparse Manchester bleakness in their sound along with US funk/dance elements. Finishing their album early they decided to offer their remaining studio time to a band who had recently opened for
them in New York called ESG. This became the first ESG album for 99 Records in New York. A Certain Ratio¹s early cover of the US group Banbarra's "Shack Up" features the amazing funk drumming of new recruit Donald Johnson. The Banbarra track had been popular on the Northern Soul circuit and whilst ACR made music that expressed the depressed, decaying Sound of an industrial city in decline they were also true to their other Nothern roots which in Manchester, Leeds, Wigan and other Northern towns had been for many years US Soul, Funk and R¹n¹B. ACR would carry these two sensibilities throughout their career going on to embrace many other styles of dance music along the way including Disco, Reggae, Jazz and Brazilian music. "Knife Slits Water" is a classic extended disco mix that managed to bring the punk 7" into the world of the dance 12". Sheffield became a focal point for DIY- electronic groups at the end of the 70s. The two most successful were Cabaret Voltaire and The Human League. Whilst Cabaret Voltaire stuck to their roots, signing to, and staying on, a fledgling new label, Rough Trade Records, The Human League would go on to international stardom as their experimental late-70s electronic music turned into 80s synth-pop. At the beginning, both these groups were interested in electronic music and how this music could be created within a punk ethos. Consequently, the all-electronic "Being Boiled" was created on a two-track tape recorder in mono! The Pop Group were the forerunners of what came to be known as The Bristol Sound. Other groups that have come out of this chain include Rip, Rig and Panic, Maximum Joy, Massive Attack and Portishead. The Pop Group mixed Punk, Funk, Disco and Reggae influences into a sound that many future bands would emulate. The group was produced by Denis Bovell, founding member of Matumbi, and one of punks favourite producers- He would also produce The Slits as well as continuing to work with people such as Linton Kwesi Johnson. When the Pop Group split up, two groups were formed Mark Stewart and The Mafia, and Rip,Rig and Panic which also featured a young Neneh Cherry. Out of Leeds came The Gang of Four. Again mixing Punk with dance and a large dose of Marxist philosophy, The Gang of Four were initially released on the Edinburgh based independent label, Fast (as were The Human League). As we can see, Punk music affected every city in England. Other scenes that emerged from this could be found in Liverpool (Teardrop Explodes, Wah! Heat, Echo and The Bunnymen) and of course Coventry where The Specials and Two-Tone began mixing up Ska and Punk to enormous success. London had got off to an early start with experimental-sound artists, This Heat. An early inspiration to many of the groups here, Camberwell¹s finest "24 Track Loop" is an incredible pre-curser to electronic, industrial music which sounds like an early version of Jungle. The concept of Industrial music would be taken a stage further by Throbbing Gristle who released music on their own Industrial Music label with the intent of pushing the boundary between music and noise. 23 Skidoo¹s interests stretched as far as Kung Fu, Gamelan Music, Language and Semiotics. Apart from this, they also managed to combine their musical influences like no-one else. On their classic album, "Seven Songs", Dance music, Experimental noise and Gamelan music combine in equal measures! "Vegas El Bandito" is taken from this record. "Coup" is one of the definitive dance records from this period. The line-up of the group features bass-player Sketch (who was also playing with Lynx) and original Jamaican Reggae hornsman Vin Gordon. Finally, The Slits were possibly the closest of these groups to The Sex Pistols. Although they did not record until 1978 they were actually part of the first wave of Punk groups (and were part of the inner circle of friends ofThe Sex Pistols). "In The Beginning, There Was Rhythm" (produced by Dennis Bovell) was indeed a prophesy of the music to follow Punk, where Punk would meet Funk, Reggae and Disco. The CD/record comes with many original photos and booklet talking about the time.
** YE OLDE TYME VINYL **
ALOG/ASTRAL SOCIAL CLUB Split Series Vol 20 12 (FatCat-$12.99)
Another high quality, album-length release, the twentieth 12" in our acclaimed Split Series features Alog and Astral Social Club, two artists who've carved out very singular, purposeful paths for themselves. Here, both roll out their markedly different, yet somehow complimentary material, the unifying element being a heavily skewed outsider take on dancefloor electronica / techno.
BONNY PRINCE BILLY & THE PICKET LINE-Funtown Comedown LP (Sea Note-$16.99)
"In the wilds of greater outer Louisville Kentucky, there is a place called Funtown. You won't find it on any map, and you might just lose yourself in the woods out there trying to pin it down to the ground as well. Yet, Funtown is a place, as much as it is a place of mind. It was in this place, in a clearing and on the shores of a pond, that Bonny 'Prince' Billy and The Picket Line combined forces to play his music and their music and other people's music for a community of people to hear and watch and swing and step to. And they did! The songs of Bonny and The Picket Line and the others that they play are music for an afternoon, an evening, a night. Songs to echo off your head when you wake up the next morning -- but songs for a finite place, like Funtown; a place that you must leave behind you, and leave in your mind. So they left, and months went by, and a few more opportunities to play as one presented themselves. Including this one! Live in front of friends and family i
s the way of Funtown, so more and the same were invited when B'P'B and the TPL laid this one down for posterity. It was as fun as it sounds and more, in ways which have mostly been channeled down to the two sides of a groove, and presented to you here, wrapped twice in full-color sleeves. The Picket Line spark with their youth the picking traditions that some call bluegrass and some call music. They are comprised of Oscar Lee Riley Parsons, guitar and singing; Bob Dixon, electric guitar; Jonathan Kempf, mandolin; Cheyenne Mize, filled and singing; Danny Kiely, double bass; and of course, the Mayor of Funtown himself, Bradley Reinstedler, on banjo."
LOWELL BRAMS-Library Catalog Music Series: Music for Insomnia LP (Asthmatic Kitty-$11.99)
Tracks 1-7 written and performed by Lowell Brams and Sufjan Stevens on Harmonium, Little Casio, Little Korg, Big Prophet, Prepared Piano, Unprepared Piano, Acoustic and Electric Guitars, Autoharp, Drums, Bass, Reedless Woodwinds, Bells, Shakers, Tambourine, Hair, Duct Tape and Keys. Track 8 written and performed by Lowell Brams, Harmonium and Korg, Bryce Dessner, Electric and Acoustic guitar, and Sufjan Stevens, Piano, Casio and Percussion. Many thanks to Bryce and Sufjan, and, Ed N., The Lone Ranger, and the dudes of Con Los Dudes, who may be heard riding into the sunset on "Alpha to Theta." For Sara, the Asthmatic Kitty, 1993-2008.
DINOSAUR JR.-Pieces/Houses 7 (Jagjaguwar-$5.99)
Pieces marks the second single from Farm, Dinosaur Jr's critically acclaimed long-player on Jagjaguwar. Featuring more bizarro artwork from renowned poster artist Marq Spusta, the Pieces 7" includes an exclusive b-side of Dinosaur Jr's cover of Houses, originally written & recorded by Elyse in 1968.
NICK DRAKE-Five Leaves Left 180g LP (Simply Vinyl-$23.99)
Back in stock!! It's little wonder why Drake felt frustrated at the lack of commercial success his music initially gathered, considering the help he had on his debut record. Besides fine production from Joe Boyd and assistance from folks like Fairport Convention's Richard Thompson and his unrelated bass counterpart from Pentangle, Danny Thompson, Drake also recruited school friend Robert Kirby to create most of the just-right string and wind arrangements. His own performance itself steered a careful balance between too-easy accessibility and maudlin self-reflection, combining the best of both worlds while avoiding the pitfalls on either side. The result was a fantastic debut appearance, and if the cult of Drake consistently reads more into his work than is perhaps deserved, Five Leaves Left is still a most successful effort. Having grown out of the amiable but derivative styles captured on the long-circulating series of bootleg home recordings, Drake assays his tunes with ju
st enough drama world-weariness in the vocals, carefully paced playing, and more to make it all work. His lyrics capture a subtle poetry of emotion, as on the pastoral semi-fantasia of "The Thoughts of Mary Jane," which his soft, articulate singing brings even more to the full. Sometimes he projects a little more clearly, as on the astonishing voice-and-strings combination "Way to Blue," while elsewhere he's not so clear, suggesting rather than outlining the mood. Understatement is the key to his songs and performances' general success, which makes the combination of his vocals and Rocky Dzidzornu's congas on "Three Hours" and the lovely "'Cello Song," to name two instances, so effective. Danny Thompson is the most regular side performer on the album, his bass work providing subtle heft while never standing in the way of the song kudos well deserved for Boyd's production as well. Ned Raggett, AMG
GIRL TALK-Night Ripper 2xLP (Illegal Art-$22.99)
Double LP! First pressing limited to 3000 copies on 180 gram vinyl in deluxe gatefold packaging.
JACUZZI BOYS-No Seasons LP (Floridas Dying-$14.99)
The wait is over. After a string of successful 7"s, and a year and a half of serious touring these boys have honed their craft & give their best effort yet. 12 tracks of good times summer psych jams capturing the top down beach cruising essence of Miami life. My boys have done good
BERT JANSCH-L.A. Turnaround LP+CD (Drag City-$16.99)
"Drag City is 'chuffed' to announce the limited-edition vinyl repressings of the three albums Bert Jansch recorded for The Famous Charisma Label in the 1970s: L.A. Turnaround, Santa Barbara Honeymoon and A Rare Conundrum, all of which have been out of print for decades and are among the most sought-after Jansch albums among fans and collectors. For these new releases, Bert Jansch handpicked the bonus material, much of which is previously unreleased. In some cases this material has been unheard by anyone in thirty years, including Bert himself. Bert Jansch was signed to Charisma by label boss Tony Stratton Smith in 1973, the year that Pentangle decided to go their separate ways. L.A. Turnaround appeared in September 1974 to great acclaim, hailed in the press as 'not far off from being the perfect album.' It was produced by former Monkee Mike Nesmith at Stratton Smith's house in the country in Crowbridge, Sussex, and in Los Angeles, and features not only Nesmith on guitar but a
lso pedal steel guitar maestro Red Rhodes, then in Nesmith's group. Rhodes' presence gives the album a unique sound enhancing Bert Jansch's own songwriting and performance skills with his haunting steel guitar. Other tracks on the album were completed by a group including Klaus Voorman on bass and, on certain songs, slide guitarist Jesse Ed Davis and fiddle player Byron Berline, giving this album an authentic L.A. '70s vibe, despite its UK origins." CD contains four bonus tracks and a short film.
BERT JANSCH-Santa Barbara Honeymoon LP+CD (Drag City-$16.99)
"Santa Barbara Honeymoon was recorded in America over a two-month period the following year and is a further departure for Bert Jansch, mixing his familiar style with a definitive L.A. over-the-top production sound, featuring backing singers and session players including horns, steel drums and a Dixieland band. This wasn't what most people wanted or expected from a Bert Jansch album, but time has kindly tucked the outrages of three decades ago beneath the intrigue of the sound, accenting some of Jansch's best songs of the period." Includes lyric insert; CD contains six bonus tracks.
BERT JANSCH-A Rare Conundrum LP+CD (Drag City-$16.99)
"A Rare Conundrum was recorded in a more familiar style in the UK during 1976 and released by Charisma in May 1977. The majority of the album features Bert with a group he'd put together consisting of Rod Clements on bass, Pick Withers on drums and Mike Piggott on violin. By the time the album was released the group had split after Clements returned to a re-formed Lindisfarne and Withers joined Dire Straits. A Rare Conundrum marked a return to a simpler style: it includes delicate instrumentals, Irish traditional songs, a couple of slow blues and some of Bert's most overlooked songs which look back to his childhood ('One To A Hundred') and his early days on the folk scene in Edinburgh ('Three Chord Trick' and 'Three Dreamers')." CD contains three bonus tracks.
LANDING-You Cant Hide Your Love Forever Vol 5 7 (Geographic North-$7.99)
5th in the YCHYLF 7 inch series. Limited to 300 on white vinyl. 2 new songs from the dream-pop/space-gaze masters!! "Following Daylight Master" unfurls into a swarm of droney bass loops w/ bursts of spacey guitar drifts soaring in the distance, flashes of light against the layers of deep murmur. "Into the Hall," w/ its steady percussion, sounds a bit like an extension of "Gravitational 2" (off of Sphere); except this time w/ the addition of Aaron's mellow vocals & a bobbing guitar line.
ROBERTO CARLOS LANGE-Library Catalog Music Series: Music for Memory LP (Asthmatic Kitty-$11.99)
Roberto Carlos Lange (Helado Negro, Savath & Savalas) offers up his contribution to the Library Catalog Music Series. Music for Memory is like one giant crossfade going from one idea to the next in long rhythmic patterns. Its broken tape delays and found reel to reel tapes comprise the beats and the long drone music made from orchestrations that became re-assembled from short ideas to long ones.
LIGHTNING BOLT-Earthly Delights LP (Load-$12.99)
After scrapping two entire full lengths, LB is finally ready to unleash new music to the masses. Taking the lessons of extreme metal, blood-brother marrying them to expansive & explosive song form and applying it to Olympic training methods - "Earthly Delights" uses electric stimulus to shock smile technology to worldwide domes. This is what 2000 years of evolution & the invention of electric instrumentation introduced into the tank of hook force can do to you. This record has the sound of a ten piece band with a much tighter pay scale, matched with the sonics of military cartoons. Swank artwork by Brian Chippendale.
YUUKI MATTHEWS-Library Catalog Music Series: Music for Savage Tropical Imagery LP (Asthmatic Kitty-$11.99)
Yuuki Matthews is a Seattle-based freelance musician and owner of 2 cats. Originally from Hollywood (Burbank), California, Yuuki moved to the Northwest with his mother and brother in the mid-nineties. He recorded the songs that make up "Music for Savage Tropical Imagery" at home between tours, odd jobs, and major milestone events. With this record, Yuuki sought to expand upon the nostalgia of subtle sound degradation.
OKKERVIL RIVER-Black Sheep Boy: Definitive Edition 2xLP (Jagjaguwar-$16.99)
Black Sheep Boy (Definitive Edition) is NOW AVAILABLE AS DOUBLE VINYL for the first time, to be released on 12/08/2009. This is the definitive double-album set which brings together Okkervil River's ground-breaking Black Sheep Boy project in its entirety - including the original album, the 7-song Black Sheep Boy Appendix EP, and the song "The Next Four Months" (originally released on the "For Real" CD single). (The CD version of this definitive set also includes the "For Real" video as well as a new video of a magical alternate slower take of "No Key, No Plan".) Enjoy this panoramic perspective of a modern masterpiece and one of the most critically acclaimed albums of the new millennium. Black Sheep Boy is Okkervil River's most ambitious and cinematic record to date, a love story and adult fable carved in lacerating rock and roll, desolate late-night country weepers, and a few shining moments of sheer, shameless pop.
MUM-Sing Along to Songs You Dont Know 2xLP (Euphono-$16.99)
Two years (almost to the day) after their previous release, Iceland's eccentric pop maestros mum have returned with their fifth studio album, Sing Along to Songs You Don't Know. Sing Along... recalls sand running through fingers or ripples on a lake; it's an ode to the light in its different shapes, from a fading bulb to the blinding sun. Alternately sunny and melancholy, Sing Along... flows like the tides: now ebullient, now brooding, cacophony resolving into tight melody.
LINDA PERHACS-Parallelograms LP (Guerssen-$23.99)
Back in stock on more affordable single-disc format. "Linda's sole album, originally released on Kapp in 1970, has gained its deserved fame and reputation in the folk-psych scene in the last years after the NY label Wild Places released it on CD format some few years ago. We could talk about Joni Mitchell and the likes if we had to compare with anything, but fans of folk music in all its variety must be delighted with this amazing album, a truly hippie psychedelic folk masterpiece and without any doubt one of the top albums of the genre. This beauty was reissued on vinyl a few years ago in Korea as well, in a 500 pieces limited pressing that sold out instantly...and we believe this one MUST be available unlimited so here we come with a gorgeous, tremendous sounding reissue of the legendary album plus 2 bonus tracks (exactly like the Korean release), a poster and an insert."
PRIMAL SCREAM/RTX-Split 12 (White Noise-$14.99)
On this limited 12" from Los Angeles label White Noise, Primal Scream hooked up with Jennifer Herrema's RTX, taking a side each, having been tourmates during winter 2008. Bobby Gillespie and co. belt out a cover of The Troggs' 'I Want You' in typically blusterous fashion while the mighty Trux cover Spirit's 'Nature's Way' with a weird funk-folk slink, inviting sax and vocoder into the mix. Ace.
SIC ALPS/MAGIK MARKERS-Split Tour 12 (Yik Yak-$13.99)
45rpm split 12", six songs, from their December 2009 tour. Git it!!
SIGUR ROS-Takk 200g 2xLP+10 (Smekkleysa-$61.99)
IMPORT VINYL! Repress of SR's 4th album, all written, performed & produced by the band w/Ken Thomas at their studio in Iceland. This time around comes pressed on audiophile 200gm DMM vinyl, and also features a bonus etched 10" of exclusive tracks. LIMITED to 2000 copies only.
SIX ORGANS OF ADMITTANCE & JOSEPH MATTSON-Empty the Sun LP+BOOK (Drag City-$20.99)
A Novel by Joseph Mattson, with Music by Six Organs of Admittance. Vinyl version includes a gorgeous two column slipcase printing of the complete novel in 12"x12" paperbound book format, signed by Joseph Mattson, and limited to 1000 copies. Recorded in Deer Skull Hacienda (bulldozed) on E-Zee Street, Encinitas, California, in August, 2008. Mastered in Dunwoody, Georgia, in March, 2009. Includes an Epic Soundtracks cover. Published by A Barnacle Book, Los Angeles. Distributed by Drag City. LP Cover art is different from CD cover artwork.
*** VISUAL STIMULATION ***
VERNON CHATMAN-Final Flesh DVD (Drag City-$15.99)
Comes with a special secret bonus!! "NEW from Vernon Chatman, a co-creator of some of this millennium's most outre cable television programming (Wonder Showzen, Xavier: Renegade Angel and -- yeah -- Doggy Fizzle Televizzle - !) is a DVD destined to change the way we look at entertainment, pornography and probably the legal system. Final Flesh is a feature film produced in four parts: the script written by Vernon was divided up and submitted to four unique film production companies that work exclusively in the field of customized adult content. The companies' shared charter is to produce a film that explores the writer's chosen fetish -- and with this in mind, Vernon wrote with demented determination, in order to push the definition of fetish into the realm of the cosmically absurd. Then he sat back to see what his charges would deliver. The resulting film is an epic narrative for our time. Final Flesh is a surreal, apocalyptic My Dinner With Andre -- in other words, existenti
al, sublime and ridiculous, featuring unmistakeably porno production values and shudderingly unseasoned porno actors and actresses -- but no actual sex! Chatman's sexworker hirelings applied themselves earnestly to his cerebral text (never suspecting the prank nature of the project). Working in complete isolation from each other, they made Final Flesh a cinematic 'exquisite corpse' whose fervid rottings comprise an insurgency in the field of...well, all the fields that involve people looking at other people for entertainment. Final Flesh isn't just a meta-comedic concept whose time has come -- it 's also a hot evening's entertainment filled with religion, sex, philosophy, fashion, culture and 'reality' (with all the pathos that implies), plus some really amazing dialogue. Few will sit the fence on this. Few should. Final Flesh is a confrontation and a contradiction that deserves its day in (kangaroo) court. Fortunately, it 's the way of the world that the curious and easily influenced will be drawn into the web that is Final Flesh, whether they like it or not -- thus dissolving its concepts of 'avant-garde porn' and 'comedy' into the unsuspecting mainstream, where their questionable merits will have the desired evolutionary impact. If your spirit is willing -- the Flesh will freak you!" Running time: 71 min.; NTSC all-region format.
And a lot more re-stocks on the website, plus some handfuls of used goodies are always being added!
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